At the beginning of the 20th century, Frederick Winslow Taylor uttered this phrase with the force of a decree. Decades later, Jean Baudrillard observed the shift: the system ceases to be a means and becomes the end.

Today, this logic not only persists but intensifies. Technology permeates the way we communicate, organize our time, and construct our image. What we see rarely remains intact: it is corrected, edited, and optimized. Reality is no longer sufficient in itself.

In this instability, Miranda accentuates a fissure in perception.

Her surfaces reflect and distort, destabilizing our gaze.

The visible becomes uncertain; the image a suspicion.

Valeria Montes