Beyond theoretical analyses of reality and its manifestations, Katia Miranda has managed, with this body of work, to create an essay in abstraction of her artistic production, fragmenting it structurally and conceptually. She approaches the compositional aspect of each of the paintings and sculptures presented from a new perspective, the product of months of practical experiments that challenged her understanding of form. Therefore, this series of works operates more within the spectrum of interpretive possibilities than the representation of an image, and it does not take refuge within the traditional aspects of formal iconography in material expression.

After years of studying the physical characteristics and limitations of materials like plastic and Mylar, his interest has returned to the primal expressions of drawing and painting, both within their abstract formulations. These forms, however improbable they may seem in contemporary reality, always allow us to find new signs and symbols to add to the visual language, always accompanied and shaped by the inherent presence of subjectivity as an interpretive tool.

Andrés Cordón de la Fuente